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Caroline Hamelin

Engineer's sister, banker's partner

The moral conscience of L'Argent, and one of the most fully realised women in the cycle. She accompanies her brother Georges Hamelin in his dealings with Saccard and watches the Universal Bank's rise with growing disquiet — she knows Saccard is not honest, she knows the stock price is manipulated, and yet she stays, partly out of genuine affection for him and partly because her brother's real projects (which are genuinely valuable) are bound up in the enterprise. She travels to the Orient with Hamelin as the bank's ostensible projects take shape there, observing the genuine work being done even as the speculation in Paris grows monstrous. When the crash comes she is not ruined; when Saccard is arrested she does not abandon him entirely. What distinguishes her is not innocence — she is never innocent — but a lucidity that somehow coexists with continued engagement. Zola uses her to explore the question of how a decent person relates to a corrupt world: whether watching is complicity, whether love for a scoundrel is a moral failure, whether dignity can be maintained in contact with dishonesty.
Dark, handsome, with the intelligent eyes of a woman who understands men well and has decided, after weighing the evidence, not to be destroyed by them.
Caroline Hamelin

Engraving from the Vizetelly English translation of L'Argent (1894) — Public domain

Appears In

Money major

Details

Branch
Other
Generation
IV